2022 MRCG Symposium in Detroit

September 28-29, 2022
Detroit Film Theater at the Detroit Institute of Arts

The Midwest Regional Conservation Guild is delighted to announce that registration for our 2022 symposium will open on August 1, 2022. The hybrid symposium will be open to both in-person and virtual attendees.

This year's symposium will feature:

  • 9/27: Pre-conference workshop on gels with Sophie Barbisan (**SOLD OUT** The workshop is full but if you wish to be placed on the waitlist, please email Melina Avery at MRCG.vicepres@gmail.com)

  • 9/28-9/29: Two days of presentations from colleagues across the MRCG membership (in-person and virtual attendees)

  • 9/28: Reception in the Detroit Film Theater's Crystal Gallery

  • 9/28: MRCG Business Meeting (in-person and virtual attendees)

  • 9/29: Post-conference tours

Registration fees:
Early Bird, August 1-15: $50
Regular, August 16 – September 27: $75
Same Day, September 28th: $100
Virtual Option: $25

We will be offering a limited number of scholarships to assist with the cost of travel and attendance for the meeting for pre-program and current graduate students. Please contact mrcg.secretary@gmail.com for more information. (Applications now closed.)

Speaker Abstracts
To view the abstracts for this year, please click here (PDF).

A list of speakers and topics is also included below.


Thank You to Our Generous 2022 Symposium Sponsors!


Local Map with Restaurants

Click here to view a helpful map of DIA and surrounding local restaurants.

Accommodation Options:


MRCG 2022 talks:

  • Adam Novello: A Brief Analysis of Mold Remediation Recommendations for Heritage Collections

  • Ann Coppinger: MATERIAL EVIDENCE: Assessing Risk in the Collection of The Museum at FIT

  • Ashleigh Ferguson Schieszer: Library Conservation Treatment of the Hebrew Union College 1526 Prague Haggadah

  • Clara Deck: Safeguarding the heinous: perspectives on conservation at the Jim Crow Museum of Racist Memorabilia

  • Cristiana Acerbi Ginatta: The Painting That Lived to Tell the Story: What Happens to a Canvas That Is Stored Under Stadium Bleachers

  • Cuong Nguyen: Additive Manufacturing Techniques for Oversized Components in Conservation Treatments at The Henry Ford: Tiffany Floor Lamp (1899-1901) and Sir John Bennett’s Clock, Watcher, and Jewelry Store Outdoor Clock Figures (1846)

  • Elizabeth Robson: 500 to 1: The Trials and Revelations of Surveying a Large Collection

  • Garrett Sumner: The Emperor Has New Clothes: Conservation and Insights into an Imperial Ethiopian Manuscript

  • Isis Gillespie: Conserving the P-39 Airacobra

  • Nicole Flam: Ayomi Yoshida’s Reverberation Ad Infinitum: A Project of Multiples

  • Ping-Chung Tseng: “Roll Up, Fatten Up”: How Important Is a Futomaki? The Details and Design  of Various Futomaki Used for Asian Scrolls at the Cleveland Museum of Art

  • Roxane Sperber: Dr. Clowes and the Science of Art

  • Serena Urry: Adventures in Inpainting (& Overpainting) a 17th century Neapolitan Still Life

Tip:

  • Cristiana Acerbi Ginatta: Jennifer McGlinchey Sexton’s standards for UV photography applied to a painting studio: equipment, techniques, budget and results

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